Covers Title

Covers Title

Wednesday, January 17, 2024

The Complete "Covers" Scans, Tenth Post, Nrs. 459a-472+ (The Last of the Series for Now), 2001 until 2023

 "Covers" Nrs. 459a-472+  (The last of the series for now), 2001 until 2023

This is the tenth post here documenting my 500+ "Covers" artworks created from 2001 until 2023. These are paintings or drawings in oil, acrylic, gouache, and ink on paper, canvas or board in various sizes, often not far from letter size, but from half that up to a few feet /meters in size. They recognizably utilize the structure of comic-book covers, or Show-Card lettering posters, with title, bold lettering, price, date, numbering, image and so on. They have been usually exhibited in groups, as installations and as "footnotes" to my large painting-installations.
 
I began wishing to post one every couple days, thus the complete group would take me years. I was too busy to do that, so as part of my scanning of my archives in 2023 which have been donated to the Kantonsbibliothek in Appenzell AR Switzerland, I decided to simply post all 500-some in groups here in a small series of posts.
 
You can get an idea of the sort of concerns, purposefully over-determined, polysemic, multivalent planning, images, references, and word play that went into each one by reading he first 36 posts here, or the comments on my Facebook posts of the "Covers" works.(https://www.facebook.com/share/1PxS2QfphgenLbih/?) Many were made with textual brainstorming in collaboration with author Daniel F. Ammann, or playing on things I was reading, or things my wife said, and so on. Over the years, I made a few numbering mistakes, but also did a few variations of pieces, thus there are sometimes several with the same face-numbers, 1 – 500 and beyond.
 
This group is a varied group, generally applying the "Cover" idea to installations and other works.
 
Now I am now through posting the entire group of some 500+ (I made several numbering mistakes, and have some unnumbered ones, as many here).
 






























 

Sunday, January 14, 2024

The Complete "Covers" Scans, Ninth Post, Nrs. 450-495) (The Phd Dissertation frontispiece Covers)

 "Covers" Nrs. 450-459 (The Phd Dissertation frontispiece Covers)

This is the ninth post here documenting my 500+ "Covers" artworks created from 2001 until 2023. These are paintings or drawings in oil, acrylic, gouache, and ink on paper, canvas or board in various sizes, often not far from letter size, but from half that up to a few feet /meters in size. They recognizably utilize the structure of comic-book covers, or Show-Card lettering posters, with title, bold lettering, price, date, numbering, image and so on. They have been usually exhibited in groups, as installations and as "footnotes" to my large painting-installations.
 
I began wishing to post one every couple days, thus the complete group would take me years. I was too busy to do that, so as part of my scanning of my archives in 2023 which have been donated to the Kantonsbibliothek in Appenzell AR Switzerland, I decided to simply post all 500-some in groups here in a small series of posts.
 
You can get an idea of the sort of concerns, purposefully over-determined, polysemic, multivalent planning, images, references, and word play that went into each one by reading he first 36 posts here, or the comments on my Facebook posts of the "Covers" works.(https://www.facebook.com/share/1PxS2QfphgenLbih/?) Many were made with textual brainstorming in collaboration with author Daniel F. Ammann, or playing on things I was reading, or things my wife said, and so on. Over the years, I made a few numbering mistakes, but also did a few variations of pieces, thus there are sometimes several with the same face-numbers, 1 – 500 and beyond.
 
This group is one of many sub-sets within the whole group, each made for very specific contexts and shows. This one is the "Covers" paintings made to be frontispieces of each chapter of the dissertation, plus the one uniting them to be the cover of the dissertation, and two appearing in the accompanying installation (in Jedlitschka Gallery Zurich) as tribute to my two dissertation advising professors German "Doktorväter").
 
Now I am about 95% of the way through the whole group.